The process began with a quiet inquiry: can something so engineered speak to something so unknowable? I became preoccupied with loops, not as visual motifs, but as the architecture of our inner and outer worlds. I explored modular systems, each chamber leading into the next, forming a closed circuit of change and continuity. These chambers became metaphors for time itself: continuous, contained, and unfinished.

The digital simulation reveals twelve interconnected chambers. Inside, spheres ricochet through space while a solitary organic form sits still, observing. As the camera moves, the system gradually reveals itself as closed, continuous, and inescapable.

The physical installation brings this concept into tangible form. Twelve laser-cut acrylic chambers are precisely assembled and arranged in a closed system. Inside each, concealed fans keep the spheres in perpetual motion. The movement is more than mechanical. It becomes a living metaphor, visualizing unseen forces and the silent rhythms that shape our existence.